SAMEMES Early Career Book Prize

The SAMEMES Book Prize was created in 2015 and is awarded every second year, on the occasion of the SAMEMES Conference, to the first published monograph of an early career SAMEMES member.

In order to enter the competition candidates must be paid-up members of SAMEMES by the CFP deadline for the biennial conference and be present at the conference at which the prize is announced. 

Publishers should send a hard copy and a PDF file of the monograph to the following address. Submissions must arrive by the deadline of 31 December 2019.

Professor Indira Ghose
Department of English
University of Fribourg
Avenue de l’Europe 20
CH-1700 Fribourg
Switzerland

 

2018 Recipient

Rahel Orgis, Narrative Structure and Reader Formation in Lady Mary Wroth’s Urania (London: Routledge, 2017)

 

Extract from the laudatio pronounced at the SAMEMES conference in Bern, 13 September 2018:

 

Orgis2017.jpgThe recipient of the 2018 SAMEMES Book Prize is Rahel Orgis, for her first published monograph, Narrative Structure and Reader Formation in Lady Mary Wroth’s Urania.

 

At the heart of Dr. Orgis’s project is a simple yet pressing question: how do stories get told in the early modern period and what might this reveal about the culture of reading and writing? To answer this question, Dr. Orgis turns to Lady Mary Wroth’s long and (for modern readers) difficult prose romance, Urania. She focuses on the figure of the narrator, treating it not just as a linguistic device, but also as the source of a wide range of cultural assumptions about speech, authority, and individuality.

 

The book is very well researched, extremely rigorous in its analysis, and methodologically consistent. The book also opens up genuinely new paths for the study of Lady Mary Wroth’s Urania, as well as other prose texts of the early modern period. Rahel Orgis’s work will be particularly useful for developing new critical narratives around women writers of the early modern period. Indeed, Orgis’s appendices alone – a series of detailed charts which lay out the narrative structure of Urania from different perspectives – will be of great value to early modernists specializing in Wroth or early modern romance.

 

The members of the 2018 SAMEMES Book Prize committee are unanimous in offering this year’s prize to Rahel Orgis for her monograph, Narrative Structure and Reader Formation in Lady Mary Wroth’s Urania for the 2018 SAMEMES Book Prize. Many congratulations!

 

The SAMEMES Book Prize committee consisted of the following SAMEMES members: Indira Ghose (UNIFR), Kevin Curran (UNIL), and Denis Renevey (UNIL).

2016 Recipient

Marco Nievergelt, Allegorical Quests: From Deguileville to Spenser (Cambridge: D.S. Brewer, 2012)

SBP2016_Nievergelt.jpgExtract from the laudatio pronounced at the SAMEMES conference in Zurich, 9 September 2016:

The SAMEMES Book Prize Committee is unanimous in offering the Prize to Marco Nievergelt. His scholarly contribution to the allegorical quest tradition and the creation of the modern self is superbly and very convincingly discussed. The monograph is original in its conception, thorough in its scholarship, lucid in its argumentation, and – as an added bonus – a pleasure to read. Bringing together an illuminating succession of texts, from Guillaume de Deguileville’s Pèlerinage de la vie humaine to Edmund Spenser’s Faerie Queene via lesser known authors such as Stephen Hawes, Stephen Bateman, William Goodyear, and Lewes Lewkenor, it offers a clear discussion on identity and self-representation as represented in quest narratives. It opens a new window into this overlooked genre and addresses most pertinently the question of the emergence of the self in several of its configurations in a way that invites crossing periods and genre. In the process, the study thus makes a useful contribution to growing awareness of the problems of academic tendencies to create artificial divisions in literature; particularly divisions across the medieval and early modern divide.

So, an additional reason that it is a pleasure to recommend this book for the SAMEMES prize is that it is genuinely medieval and early modern. By proceeding in roughly chronological order through a range of texts from ca. 1350 to ca. 1600, it bridges the two periods as they are traditionally defined and, in the process, revisits and dismantles received ideas about the relationship between the two.

[2016 SAMEMES Book Prize committee: Elisabeth Dutton, Lukas Erne, and Denis Renevey]

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